﻿<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel><title>FilmStew.com: REVIEWSANDVIEWS</title><link>http://www.filmstew.com</link><description>Where Business is Entertainment and Entertainment is Business. Click to FilmStew.com for unique, timely articles, features, reviews and views of TV and film, track television and movie production -- vital information to your entertainment lifestyle.</description><copyright>(c) 2006, Filmstew.Com, Inc. All rights reserved.</copyright><ttl>5</ttl><item><title>Enthralled by "The Fall"</title><description>David Fincher and Spike Jonze are to be congratulated for trying to help bring attention of a film our critic thinks is the best of the year so far.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=17247</link><pubDate>05/12/2008</pubDate></item><item><title>Not Quite Up to "Speed"</title><description>Even though &lt;i&gt;Speed Racer&lt;/i&gt; has the crazed look and feel of a Hunter S. Thompson hallucination, it’s ultimately nothing more than a gonzo copout.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=17241</link><pubDate>05/09/2008</pubDate></item><item><title>A Pair of Very Personal Debuts</title><description>For documentary filmmakers Irene Taylor Brodsky and Ben Byer, an intimate personal knowledge of disability and disease has translated into success on the film festival circuit.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=17228</link><pubDate>05/07/2008</pubDate></item><item><title>Better Romcom Than "Red"</title><description>After several successful attempts at subverting genre with the theme of masculine amorality, playwright-filmmaker David Mamet falls flat on the mat with &lt;i&gt;Redbelt&lt;/i&gt;.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=17215</link><pubDate>05/02/2008</pubDate></item><item><title>Defiling the "Auteur" Theory</title><description>Though not quite a video store clerk turned filmmaker on the level of Quentin Tarantino, Portland, Oregon moviemaker James Westby continues to do his best to stock the New Releases section.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=17196</link><pubDate>04/25/2008</pubDate></item><item><title>"Forgetting" the Macho Man</title><description>At $400 million and counting, the partnership between Universal Pictures and Judd Apatow looks set to easily pass the half-billion mark this spring with yet another comical look at the imperfections of man.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=17174</link><pubDate>04/18/2008</pubDate></item><item><title>Film Appreciation "101"</title><description>The trick to enjoying Daniel Waters and Winona Ryder’s reunion flick is to expect a comedy-drama nowhere near as great as their 1989 counterculture classic &lt;i&gt;Heathers&lt;/i&gt;.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=17144</link><pubDate>04/10/2008</pubDate></item><item><title>Kar Wai's Bland Piece of Pie</title><description>Despite strong performances from Norah Jones and Jude Law, Wong Kar Wai’s eighth film just kind of sits there, like a piece of pie that’s been left too long inside a café’s glass case.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=17120</link><pubDate>04/04/2008</pubDate></item><item><title>Unable to "Stop" the Stereotyping</title><description>Though filmmaker Kimberly Peirce delves into admirably complex issues, her tendency to caricature has so far prevented her films from attaining greatness.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=17100</link><pubDate>03/31/2008</pubDate></item><item><title>"Fatboy" Fricassee</title><description>A fry-up of American, British and Irish comedy sensibilities that will have no trouble satisfying mainstream movie appetites.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=17086</link><pubDate>03/28/2008</pubDate></item><item><title>From J.D. Salinger to J.W. Lennon</title><description>John Lennon was only ten-years-old when the novel &lt;u&gt;Catcher in the Rye&lt;/u&gt; was first published in 1951. But sadly for him, a fan’s twisted interpretation of that seminal work led to an abrupt end on December 8th, 1980.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=17076</link><pubDate>03/28/2008</pubDate></item><item><title>Nothing "Funny" About It</title><description>Michael Haneke’s encore presentation of &lt;i&gt;Funny Games&lt;/i&gt; bears the same message as his 1997 original: audiences are willing to put up with a lot when violence is branded as entertainment.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=17040</link><pubDate>03/14/2008</pubDate></item><item><title>Far from "Heaven"</title><description>Even the prodigious talents of Chris Cooper cannot overcome the central problem of writer-director Ira Sachs’ drama &lt;i&gt;Married Life&lt;/i&gt;.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=17005</link><pubDate>03/07/2008</pubDate></item><item><title>No Country for Old Women</title><description>On the heels of his Best Picture triumph with the Coen’s, producer Scott Rudin brings forth a decidedly less groundbreaking adaptation.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=16992</link><pubDate>02/29/2008</pubDate></item><item><title>A "Witless" Condemnation</title><description>To all those merrily dumping on Larry the Cable Guy’s new movie &lt;i&gt;Witless Protection&lt;/i&gt;, our writer has a message: you could be next.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=16989</link><pubDate>02/28/2008</pubDate></item><item><title>Not Much "Point" to It</title><description>The set-up may be of the high concept kind that fetches seven figures in Hollywood, but the payoff fails to pass the smell test.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=16964</link><pubDate>02/22/2008</pubDate></item><item><title>A "Bartlett" Pair</title><description>By stepping into the role in &lt;i&gt;Rock ‘n’ Roll High School&lt;/i&gt; written for Eddie Deezen, actor Clint Howard proved that one generation’s supporting character is another  generation’s teenage hero.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=16962</link><pubDate>02/22/2008</pubDate></item><item><title>Some "Kind" of Wonderful</title><description>The only thing wrong with Michel Gondry’s latest film is the idea that the antics of its two main characters fail to wind up on YouTube.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=16955</link><pubDate>02/22/2008</pubDate></item><item><title>Love in the Time of Clinton</title><description>Lurking in the background of the romantic comedy &lt;i&gt;Definitely, Maybe&lt;/i&gt; is the notion of how quickly a political savior from a place called Hope can lead a nation to a place called despair.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=16946</link><pubDate>02/18/2008</pubDate></item><item><title>Carrying a Silent Tune</title><description>Some may compare the Israeli film &lt;i&gt;The Band’s Visit&lt;/i&gt; to something like Bill Forsyth’s 1983 comedy &lt;i&gt;Local Hero&lt;/i&gt;. But for our reviewer, the cinematic connections go much further back.</description><link>http://www.filmstew.com/showArticle.aspx?ContentID=16910</link><pubDate>02/08/2008</pubDate></item></channel></rss>